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From the Realist canvases of the Pre-Raphaelites to the Aesthetic experiments of James McNeill Whistler,The Chosen Raceconfronts the complex negotiations of whiteness that played out across British art of the nineteenth century. Examining the representation ofracial supremacy, difference, and indeterminacyin paintings produced in England during the reign of Queen Victoria,Keren Rosa Hammerschlag exploresthe many ways Victorian painters engaged with racial ideasat the height of British imperial dominance.While at times these painters reinforced racial hierarchies, at other times they problematized them, revealing race to be a fundamentally unstableorganizing principle by which to build an empireand classify its subjects.
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