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This first academic collection dedicated to popular music in Leeds - developed from the work of interdisciplinary scholars, drawn from a major public museum exhibition "e;Sounds of Our City"e; and built upon contemporary research. Leeds has rich musical histories and heritage, a long tradition of vibrant music venues, nightclubs, dance halls, pubs and other sites of musical entertainment. The city hasspawned crooners, folk singers, punks, post-punks, Goths, DJs, popstars, rappers and indierockers, yet - with a few exceptions - Leeds hasnot been studied for its scenes in ways that other UK cities have. In ways that the chapters explore,Leeds' popular music exemplifies and informsunderstandings of broader cultural and urbanchanges - both in Britain and across wider globalcontexts - of the social and historical significanceof music as mass media; music and migration;music, racialisation and social equity; industrialdecline, de-industrialisation, neoliberalism and therise of the 24-hour city. Charting moments of starkmusical politicisation and de-politicisation, whileconcomitantly tracing arguments about"e;heritagising"e; popular music within discussionsabout music's "e;place"e; in museums and in theurban economy, this book contributes to debatesabout why music matters, has mattered, andcontinues to matter in Leeds, and beyond.