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Named as One of Financial Timess Best Summer Poetry Books of 2024The poems in Oksana Maksymchuks debut English-language collection meditate on the changing sense of reality, temporality, mortality, and intimacy in the face of a catastrophic event. While some of the poems were composed in the months preceding the full-scale invasion of the poets homeland, others emerged in its wake. Navigating between a chronicle, a chorus, and a collage, Still City reflects the lived experiences of liminality, offering different perspectives on the war and its aftermath. The collection engages a wide range of sources, including social media posts, the news reports, witness accounts, recorded oral histories, photographs, drone video footage, intercepted communication, and official documents, making sense of the transformations that war effects in individuals, families, and communities. Now ecstatic, now cathartic, these poems shine a light on survival, mourning, and hope through moments of terror and awe.
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