the four Seasons

This book discusses the writer Omar Al -Fakhouri four major literary issues in four chapters. The first chapter discusses the limits of creativity, exposing the writer''s ability to liberate from the narrow tradition to the genius of the new creation, and talks about the model that the literary text must be free from everything that is narrowed by the horizon of creativity, intending the artistic approach to the art that prevailed in Europe, and it is also monitored. The anticipation of the Arabs to this literary approach, in the message of Qudamah Ibn Jaafar, "Criticism of Poetry", in which the poets called for liberation from the restrictions of poetry and that they have no one in writing except for the same amount and purpose. Then, in the second chapter, he moves to critical methods, calling for the disposal of non -objective stereotypes of criticism, which is preoccupied with the obsession of issuing judgments, instead of tasting literature in terms of being an integrated creative work. The author is the third chapter of poetry; The literary voice has the highest noise at all times, and he sees that he is a legitimate son of his time, and not a cloning of the poems of the ancients. In the fourth and final chapter, Fakhoury deals with "beauty between movement and stillness", as it concludes that from poetry and literature, which urges special readings that reveal the aesthetics of his language and solve the mysteries of its meanings.