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Making queer and feminist positions visible in art is an aesthetic strategy with a political impact that marks a transition from a state of invisible impotence to powerful visibility and political relevance. This volume brings together theoretical contributions and artistic interventions by actors in the field of queer and feminist art, addressing the conditions that confront queer and feminist artists in different geographical and temporal contexts. They examine the potential of art exhibitions and art criticism as media of visualization and concealment, and they also explore the possibilities of virtual environments and feminist graphic design, as well as presenting various ways of making marginalized art visible.