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Ouvrir Le Rien, L'Art NU
Angielski
164 b
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MERELY BEING IN THE PRESENCE of a work of art is not the same thing as “listening” closely to the artist to receive his or her confidences or message, because the artist knows nothing about the work until it surprises him. He may have authority over the project, but he does not control its outcome. According to Malevitch, a work of art must emerge from nothingness. It proceeds not from any being – nor even from a vacuous being – but from the nothingness which it opens. Its manifestation takes place within the open space provided that the work opens within the latter in the form of nothingness. From a few Chinese Sung Dynasty landscapes to a diamond-shaped Mondrian and a few 20th-century paintings – all evading the world’s logic of intentionality or mondeity – appear, here and there, works whose systematically unique existence is an entry into the presence within the open space.
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