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Studien zu den frühen Aktionen von Wolf Vostell. DE
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Wolf Vostell (1932-1998), who as the central protagonist of the Fluxus concerts and founder of European happenings, co-founded action art, a pioneer of video art and the plastic theory of and the sculptural theory of object art, is one of the most influential German artists of the second half of the 20th century. With his action art he exploded the classical aesthetic categories and created sensual spaces for events and experiences in which he repeatedly the categorical distance between artwork and viewer: Art became dangerous, active participation in the performative situations and distanced reception became impossible. This Vostell's early actions of the 1950s and 1960s in the context of an expanded concept of the image that goes beyond the visual and ties in with art philosophical discourses on the interaction between image and performativity. With contributions by Klaus Gereon Beuckers, Nick Böhnke, Lea Corves, Sarah Schmid, Lea Schöning and Thekla Zell.
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