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Book synopsis

In this second volume of selections from his journalism, written over four decades between 1907 and 1946, the maverick English composer Havergal Brian (1876-1972) directs his enquiring mind at the music being composed in France, Germany, Italy and elsewhere, while he and his British contemporaries were fighting to establish new music at home. Richard Strauss figures prominently among the composers discussed, beginning with reviews of Halle and Queen's Hall concerts in 1907 and 1910. But even Strauss was not treated as lavishly as another whose music clearly fascinated Brian deeply: Arnold Schoenberg. From Gurrelieder to the Violin Concerto, Brian emerges as one of Schoenberg's most sympathetic and understanding champions among the English critical fraternity in the inter-War period.Other composers featured include Bartok, Berg, Busoni, Debussy, Dohnanyi, Dukas, Glazunov, Grieg, Hindemith, Kilpinen, Lehar, Mahler, Messager, Puccini, Rachmaninov, Ravel, Respighi, Shostakovich, Sibelius, Sousa, Stravinsky, Szymanowski, Tailleferre and Varese - as well as figures now obscure such as Alfred Bruneau, August Bungert, Cesar Geloso and Wilhelm Kienzl. Malcolm MacDonald's introductions and annotations provide the background to each piece and cast light on Brian's more obscure references.

Book details

Book category Books in English The arts Music

• Full title: Havergal Brian on Music
• Author: Havergal Brian
• Language: English
• Binding: Hardback
• Number of pages: 459
• EAN: 9780907689485
• ID: 04760783
• Publisher: Toccata Press
• Weight: 721 g
• Dimensions: 216 × 140 × 30 mm
• Date of publishing: 21. May 2009

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