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Book synopsis

Hip-hop has come a long way from its origins in the Bronx in the 1970s, when rapping and Djing were just part of a lively, decidedly local scene that also venerated break-dancing and graffiti. Now hip-hop is a global phenomenon and, in the United States, a massively successful corporate enterprise predominantly controlled and consumed by whites while the most prominent performers are black. How does this shift in racial dynamics affect our understanding of contemporary hip-hop, especially when the music perpetuates stereotypes of black men? Do black listeners interpret hip-hop differently from white fans? These questions have dogged hip-hop for decades, but unlike most pundits, Michael Jeffries finds answers by interviewing everyday people. Instead of turning to performers or media critics, Thug Life focuses on the music's fans - young men, both black and white - and the resulting account avoids romanticism, offering an unbiased examination of how hip-hop works in people's daily lives. As Jeffries weaves the fans' voices together with his own sophisticated analysis, we are able to understand hip-hop as a tool listeners use to make sense of themselves and society as well as a rich, self-contained world containing politics and pleasure, virtue and vice.

Book details

Book category Books in English Society & social sciences Society & culture: general Social groups

• Full title: Thug Life
• Subtitle: Race, Gender, and the Meaning of Hip-Hop
• Author: Michael Jeffries
• Language: English
• Binding: Paperback
• Number of pages: 280
• EAN: 9780226395852
• ISBN: 0226395855
• ID: 04546157
• Publisher: The University of Chicago Press
• Weight: 420 g
• Dimensions: 228 × 154 × 15 mm
• Date of publishing: 30. January 2011

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